54. Make You Feel My
Love – Time Out of Mind
Yeah, it’s everywhere. Popular at weddings and covered by everyone. It might
even be more widely covered than Leonard Cohen’s Hallelujah.
Trivia:
Billy Joel’s version was the first ever to be released.
53. Masters of War - The Freewheelin' Bob Dylan
The 1960s protest singer is something
of cliché. But every once in a while,
you hear a song with such power and bite, it makes you say, “Damn, how does a
21-year-old write that.”
52. Most of the Time – Oh
Mercy
Oh Mercy, recorded in New
Orleans and produced by Daniel Lanois, is also in the running for
Dylan’s most underrated album. This song
was featured to great effect in the film adaptation of High Fidelity.
51. Things Have Changed
– Wonder Boys, Soundtrack
Speaking of movies, Dylan wrote and
recorded this one in 1999 for the excellent Curtis Hanson film, Wonder Boys.
Rolling Stone magazine described this
song as the evil twin of “the Times they Are-a-Changin'.”
People are crazy and times are strange
I'm locked in tight, I'm out of range
I used to care, but things have changed
50. You Ain’t Goin
Nowhere – The Basement Tapes
The
Byrd’s version, from Sweetheart of the Rodeo, is different from the
early Byrds covers of Dylan songs. The
early Byrds were all about jangle and harmony.
With the Byrds of Gram Parsons, you get the rhythm and twang of country
rock. But with Dylan and the Band, its Americana.
49. Queen Jane Approximately – Highway 61 Revisited
The banging piano, Dylan’s thin nasally voice, the richness of the organ and Bloomfield’s guitar licks. Check out a great version by Lucinda Williams.
48. Love Minus Zero No
Limit – Bringing it All Back Home
Pure poetry here.
The wind howls like a hammer,
The night blows cold and rainy,
My love she's like some raven
At my window with a broken wing
47. Forever Young – Planet
Waves
The best writers flirt with sentimentality
but don't cross the line into mawkishness. “Forever Young” comes close but
Dylan stops short by keeping it simple and from the
heart.
May you build a ladder to the stars
And climb on every rung
And may you stay
Forever Young.
46. I Shall Be Released
– Greatest Hits, Vol. II
A simple spiritual song and one of
Dylan’s most-covered compositions. For
my money, the Band’s version with Richard Manuel’s fragile falsetto is the best
version.
45. Changing of the
Guards - Street Legal
Bob Dylan doesn’t get enough credit
for his output in the late 1970s and 80s but it’s partly his own fault - he set
the bar too damn high. Street Legal was
the last album before his born-again phase and “Changing of the Guards” is the
anthemic highlight. If anyone else had
released this song, they’d be saying “Check this guy out – he’s the next
Dylan.”
44. Girl from the North
Country - The Freewheelin' Bob Dylan
A ballad that feels older than time. Dylan re-recorded
it as a duet with Johnny Cash on Nashville
Skyline.
43. Jokerman – Infidels
My first exposure to this song was the
MTV video. Although I loved Dylan's famous songs of the 1960s, when I was a teenager, I saw him as more of a historical figure. But there he was on my television, and I was utterly captivated by
the imagery of the song and sound of Dylan’s voice.
42. Murder Most Foul – Rough
and Rowdy Ways
I found myself wondering: Why would Bob Dylan release a song in 2020 about the assassination of JFK? Then I listened and was transfixed for the
full 16 minutes. Of course, its’s not
just a song about the assassination.
It’s about America and what we lost.
41. Sad Eyed Lady of the Lowlands – Blonde on Blonde
Dylan’s 11 minute opus is haunting, hypnotic and mysterious. It was also pretty radical, in 1966, to devote an entire album side (side four) to a single song.
40. Maggie’s Farm – Bringing
it all Back Home
When Dylan went electric at the 1965
Newport Folk Festival, “Maggie’s Farm” was one of the songs whose aggressive
sound shocked and awed the audience. But
the anger and disillusionment were already present in the lyrics:
Well, I try my best to be just like I am
But everybody wants you to be just like them
A perfect anthem for the 1960s
counterculture.
39. Lonesome Death of Hattie Carroll - The Times they Are-a-Changing
Most protest songs are preachy and humorless. And the catch is -- the more topical they are, the less likely they are to age well. But as with most things Dylan, “Lonesome Death of Hattie Carroll” is different. He taps into themes of injustice and loss and freedom that are universal. And he also brings the gift of melody.
38. Knocking on Heavens Door - Pat Garrett & Billy the Kid
Dylan’s version is more powerful than
Clapton’s or the bloated Guns ‘n’ Roses version. Just a lone man on the frontier, at the edge,
facing the end.
37. I Threw it All Away
– Nashville Skyline
A simple, timeless and gut-wrenching
lament of lost love and regret.
36. Abandoned Love - Biograph
This magnificent track, recorded in
1975, was somehow left off of Desire. A breakup song with unforgettable lyrics:
My patron saint is a-fighting with a ghost
He's always off somewhere when I need him most
The Spanish moon is rising on the hill
But my heart is a-tellin' me I love you still
35. I Want You – Blonde
on Blonde
The characters and imagery are
irresistible:
The gypsy undertaker cries
The lonesome organ grinder sighs
The silver saxophones say I should refuse you
The cracked bells and washed-out horns
Blow into my face with scorn
But it's not that way
I wasn't born to lose you
34. Chimes of Freedom –
Another Side of Bob Dylan
“Chimes of Freedom” is an anthem for
the downtrodden or, as Andy Gill calls it, “Dylan’s Sermon on the Mount.” When
the Byrds play the song, it sparkles but it sounds like a relic of the 1960s. When Dylan sings, it seems to transcend time.
33. Can You Please
Crawl Out Your Window – Masterpieces
Recorded for the Highway 61 Revisited
session, Dylan’s voice is clear and confident and the piano, organ and Dylan’s
harmonica mesh perfectly. It was an
interesting selection by Nick Hornby in his wonderful collection of essays, Songbook. The Hold Steady did a delightful version.
32. Baby Let Me Follow You Down – Bob Dylan
Another gentle acoustic number that
was radically transformed when Dylan went electric. His raucous, almost punk rock version with
the Band is one of the highlights of The Bootleg Series, Vol. 4. The Royal
Albert Hall Concert.
31. Not Dark Yet – Time
Out of Mind
Bob’s striking musing on death (“It’s
not dark yet, but it’s getting there”) was released 24 years ago when he
was 56. Damn.
30. Ring Them Bells – Oh
Mercy
A powerful ballad that draws upon
biblical texts. Dylan’s religious
conversions were often the subject of attention, but wherever his journeys took him, he always
had the voice of an Old Testament prophet.
29. Up to Me – Biograph
Even before the release of Biograph,
“Up to Me”, which was recorded for Blood on the Tracks was a popular
choice among Dylan fanatics and bootleggers for the best song never
released. One listen and you’ll
understand why:
Everything went from bad to worse, money never changed a thing
Death kept followin', trackin' us down, at least I heard your bluebird sing
Now somebody's got to show their hand, time is an enemy
I know you're long gone
I guess it must be up to me
28. Every Grain of Sand
– Shot of Love
Maybe it’s because I’m not a religious
believer. But for me, a song like this has greater spiritual power than any
holy book or revelation.
27. Buckets of Rain – Blood
on the Tracks
Such a sweet song.
I've been meek And hard like an oak I've seen pretty people disappear like smoke
Friends will arrive, friends will disappear
If you want me Honey baby, I'll be here
26. Blind Willie McTell
- Bootleg Series Vol. 1-3
You hear about these songs - the
unreleased tracks that fans gush over, and you think: these hardcore
fans are just trying to sound cool – there’s
probably a good reason they left the track off the album. Not here.
This is brilliant.
25. Just Like Tom Thumb
Blues – Highway 61 Revisited
Some of Dylan’s most captivating
lyrics, starting with the memorable opener which just transports me:
When you're lost in the rain in Juarez, when it's Easter time too.
And I've always loved the last verse:
I started out on burgundy, but soon hit the harder stuff
Everybody said they'd stand behind me when the game got rough
But the joke was on me, there was nobody even there to bluff
I'm goin' back to New York City, I do believe I've had enough.
24. It Ain’t Me Babe – Another
Side of Bob Dylan
The ultimate it's not you, it's me (really, it's you) song. I’m a fan of the version by the Turtles too.
23. Absolutely Sweet
Marie – Blonde on Blonde
So many great lyrics, and none better
than: to live outside the law you must be honest. I love the version by
cowpunk pioneers, Jason & the Scorchers.
22. Ballad of Thin Man
– Highway 61 Revisited
The pounding piano, Al Kooper’s ghostly
organ and Dylan’s sneering delivery make for a foreboding and unforgettable
kiss-off.
21. Subterranean Homesick Blues – Bringing it all Back Home
No, it’s not the first rap song. It’s part Chuck Berry and part talking blues, the kind of songs that were a staple of Dylan’s early recordings. The result, Dylan’s first real electric
number, was revolutionary. And the D.A.
Pennebaker video is, arguably, the most influential music video of all time.
20. Don’t Think Twice - The Freewheelin' Bob Dylan
A lovely breakup song. Eric Clapton's version at the Dylan 30th anniversary concert in Madison Square Garden, New York is worth a listen.
19. My Back Pages – Another
Side of Bob Dylan
The refrain alone (I was so much
older then, I’m younger than that now) justifies a top 20 ranking. As good as the track is, it’s one of the few Dylan songs where I prefer the Byrd’s version The star-studded ensemble performance was the highlight of the 30th anniversary concert.
18. Stuck Inside of
Mobile with the Memphis Blues Again – Blonde on Blonde
In 2009, I saw Dylan play at the
United Palace Theater in Washington Heights and he opened with this classic. I love his vocal delivery and the way he
moans: “Oh, mama, can this really be the end” and that sensual sneer: "Your debutante just knows what you need But I know what you want.”
17. It’s Alright Ma - Bringing it All Back Home
There’s a fury in this track, an
assault on power, propaganda and illusion with unforgettable lines like “He not busy being born is busy dying.”
16. Simple Twist of
Fate – Blood on the Tracks
A lovely song of
melancholy and depth. Hard to top this
verse:
People tell me it’s a sin
To know and feel too much within.
I still believe she was my twin, but I lost the ring.
She was born in spring, but I was born too late
Blame it on a simple twist of fate.
15. Just Like a Woman –
Blonde on Blonde
Probably, Dylan’s greatest love
song. I love his phrasing in the bridge
and the passion with which he launches into the final verse.
And your long-time curse hurts, but what's worse
Is this pain in here, I can't stay in here, ain't it clear….that I… just can’t fit.
14. It’s All Over Now
Baby Blue – Bringing it All Back Home
Dylan’s farewell to someone, or something – or
to everything – comes at a pivotal moment of his artistic transition. He is ever ready to move ahead.
Strike another match, go start anew. And it’s
all over now, Baby Blue.
13. Shelter from the
Storm – Blood on the Tracks
One of the many highlights of Blood
on the Tracks, an album that captures so many emotions and brilliant
lyrics, like this gem: Beauty walks a razor's edge, someday I'll make it mine. It's a song that was brilliantly transformed in his 1970s live performances.
12. Mississippi – Love
and Theft
Some of Dylan’s songs seem like they
have always existed in the universe and the songwriter’s job was simply to
reveal them. “Mississippi” is like that.
The voice of a seeker, full of wisdom and regret. It feels
timeless.
11. All Along the
Watchtower – John Wesley Harding
Give Jimi Hendrix credit for
transforming the song and bringing ungodly firepower. But Dylan’s creation is a
masterwork in its own right, a truly unique song, with powerful imagery and a
chilling, foreboding feel.
10. Idiot Wind – Blood
on the Tracks
Dylan is a master of the “fuck you”
song. Most of his kiss-offs tend to be
sly, ironic and punctuated with well-timed sneers. “Idiot Wind" is different because it’s so
raw. Dylan wears his contempt on his
sleeve or, to put it another way, his blood on the tracks.
9. Mr. Tambourine Man
– Bringing it All Back Home
Overlooked in the jangle of the Byrd’s
first #1 hit is the revolutionary nature of Dylan’s song writing. There was simply
nothing like this on the radio. It
evokes such powerful sense of longing.
8. Positively 4th
Street – Greatest Hits
Probably the
very best of Dylan’s “fuck you” songs.
I’m not counting “Like a Rolling Stone” which belongs in its own
category.
7. Blowin’ in the Wind - The Freewheelin' Bob Dylan
Perhaps his most famous song. “Blowin’ in the Wind” was recently named the
2nd most essential folk song of all time, after Woody Guthrie’s
“This Land is Your Land.”
6. Desolation Row – Highway
61 Revisited
A literary narrative with a dizzying
display of imagery but what really stands out for me is the Spanish-sounding
guitar part by Charlie McCoy.
5. Visions of Johanna –
Blonde on Blonde
A favorite among those who celebrate
Dylan’s poetry. But the reason it’s the best song on one of the greatest albums
in rock history, isn’t only because of the lyrics. It’s the groove. The throbbing bass by Joe South and Nashville
session man, Kenny Buttrey on drums. Just perfect.
4. The Times they
Are a-Changin - The Times they Are-a-Changing
Out of all of Dylan’s protest songs,
this is the one that still gives me chills. If there is a single song that cements Dylan
place as the “voice of a generation,” this one gets my vote. The voice of a
prophet.
3. Tangled up in Blue –
Blood on the Tracks
I’ve always loved the feel of this
song. Even before Dylan starts singing, the
listener is transported to some ethereal once-upon-a-time place. For me, this song feels like the farewell to
the 1960s and its dreams.
2. Hard Rain’s Gonna Fall - The Freewheelin' Bob Dylan
This song never fails to blow my
mind. It’s hard to imagine what it must
have been like to be living in New York in 1962 and hearing Dylan for the first
time. According to Joyce Carol Oates, “When
we first heard this raw, very young, and seemingly untrained voice, frankly,
nasal, as if sandpaper could sing, the effect was dramatic and electrifying.” There’s a great scene at the end of the Coen Brothers,
Inside Llewyn Davis, where we see the young Dylan performing at the Gaslight Cafe and we understand that the title character, a struggling folk singer, is about to
be eclipsed by an artist of real genius.
1. Like a Rolling Stone – Highway 61 Revisited
When Bruce Springsteen inducted Dylan
into the Rock and Roll Hall of Fame, he described the opening of this song as “That
snare shot that sounded like somebody kicked open the door to your mind.” It thrills me every time I hear it.